Free America! / Alna, ME (USA)
Jul
12
2:00 PM14:00

Free America! / Alna, ME (USA)

Free America! Early Songs of Resistance and Rebellion

Looking forward to repeating this program with the Boston Camerata! I sing on the original CD with the Camerata made for harmonia mundi France in 2018. A highlight for me was recording this piece: My Body Rock ‘long Fever.

Music, say our American ancestors, may soothe the heart, but it also sustains the search for values.

This program explores, in a present moment when American ideals are undergoing such deep challenges, the vital and life-affirming sounds of the young Republic, as its citizens sang and played forth their love of freedom and their rejection of tyranny.

The rough-hewn sounds of New England citizen-composers still ring true and strong to our contemporary ears. And so do Liberty’s attendants — feminists, abolitionists, freed slaves, religious minorities and the insolent scallywags of “Yankee Doodle” — all remind us that in our musical roots lies our true strength.

These songs, both written and from oral traditions, offer an enlarged, intercultural perspective on the music played and sung in the early republic’s first century. They will include marches, anthems, spirituals and ballads, restating our commitment to democracy. First commissioned by the Paris Philharmonie in 2018, a Harmonia Mundi CD.

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Free America! / Tanglewood (USA)
Jul
16
8:00 PM20:00

Free America! / Tanglewood (USA)

Free America! Early Songs of Resistance and Rebellion

Looking forward to repeating this program with the Boston Camerata at Tanglewood! I sing on the original CD with the Camerata made for harmonia mundi France in 2018. From “Free America!”: My Body Rock ‘long Fever.

Music, say our American ancestors, may soothe the heart, but it also sustains the search for values.

This program explores, in a present moment when American ideals are undergoing such deep challenges, the vital and life-affirming sounds of the young Republic, as its citizens sang and played forth their love of freedom and their rejection of tyranny.

The rough-hewn sounds of New England citizen-composers still ring true and strong to our contemporary ears. And so do Liberty’s attendants — feminists, abolitionists, freed slaves, religious minorities and the insolent scallywags of “Yankee Doodle” — all remind us that in our musical roots lies our true strength.

These songs, both written and from oral traditions, offer an enlarged, intercultural perspective on the music played and sung in the early republic’s first century. They will include marches, anthems, spirituals and ballads, restating our commitment to democracy. First commissioned by the Paris Philharmonie in 2018, a Harmonia Mundi CD.

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Out of Melancholy / Olching
Jul
26
7:00 PM19:00

Out of Melancholy / Olching

Out of Melancholy – Lute songs of John Dowland and English Madrigals

Hardly another composer expressed melancholy as artfully as John Dowland (1563–1626), who defined an era with his *First Booke of Songs* (1597). To mark the 400th anniversary of his death, this program is dedicated to his lute songs: music full of intensity, quiet longing, beauty, and subtle vocal expression. His works will be performed solo and in polyphonic settings, richly accompanied by lute, viola da gamba, and recorder, and complemented by selected songs of Thomas Campion as well as madrigals from *The Triumphs of Oriana* (1601)—a musical tribute to Elizabeth I. Some of the more intimate pieces will be performed around a table in the spirit of historical practice, partly in the original English pronunciation.

Out of Melancholy thus showcases various facets of the polyphonic soundscape of the English Renaissance.

About versum vocale

‘versum vocale is an a cappella ensemble for early music based in Munich, led by singer and lutenist Joel Frederiksen. With a flexible lineup of six to twelve passionate singers, the ensemble strives for a high standard of sound and is primarily dedicated to polyphonic Renaissance music.

Soprano | Mezzo Malin Eiband, Ann-Christin Gritto, Isabel Renz

Alto Linda Oppermann

Tenor Friedrich Esch

Bass Florian Eggers, Robert Schmidt

WITH

Tatiana Flickinger, recorder

Georg Rast, lute

Sebastian von Bomhard, viola da gamba

27. Juni 2026, 20 Uhr
St. Gangolf, St.-Gangwolf-Str. 15, 86944 Unterdießen

28. Juni 2026, 19 Uhr
Jugendkirche, Preysingstraße 85, 81667 München

26. Juli 2026, 19 Uhr
Johanneskirche, Wolfstraße 11, 82140 Olching

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Polyphonia Augustana / Muri (CH)
Aug
21
7:30 PM19:30

Polyphonia Augustana / Muri (CH)

Polyphonia Augustana

Venetian Musical Splendor in the City of the Fuggers – by the end of the Renaissance, Augsburg had developed into one of the world’s most important commercial and economic centers. Under the patronage of the powerful Fugger merchant family, a rich musical life flourished. At its center were outstanding composers such as Hans Leo Hassler and Christian Erbach. His “Modi sacri” showcase the full range of musical diversity, extending to ten-part motets. By 1616 at the latest, the practice of multi-choir music-making based on the Venetian model was firmly established at Augsburg Cathedral. Just a decade later, in October 1627, the cathedral chapter even decided that in the future “music should be performed in four parts, or choirs.” Christian Erbach’s significance extends far beyond his own work: as the teacher of a large number of students, he founded an influential South German school of organists. With works by Erbach, his students, and contemporaries, the ensembles AUXantiqua and I Fedeli bring to life the rich musical landscape of Augsburg at the beginning of the 17th century. A magnificent opening concert of the MURI BAROCK! festival.

AUXantiqua

Jessica Jans, Maria Deger – soprano
Stefan Steinemann – alto and conductor
Julian Romanowsky – alto
Matthias Deger, Johannes Ganser – tenor
Jan Kuhar, Joel Frederiksen – bass

I Fedeli
Josué Meléndez – cornetto and conductor
Catherine Motuz – trombone and conductor
Simen van Mechelen, Maximilien Brisson – trombone
Anaïs Chen – violin
Martin Jantzen, Caroline Ritchie – viola da gamba
Rüdiger Kurz – violone
Maria Morozova-Meléndez – organ

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Music from England / Schloss Seehaus
Aug
23
4:00 PM16:00

Music from England / Schloss Seehaus

Wandering concert marking the 400th anniversary of John Dowland’s death – English music by John Dowland and Henry Purcell

4:00 PM St. Georg am Markt Church

5:30 PM Welcome at Seehaus Castle

approx. 5:45 PM Wandering concerts in the chapel, concert hall, and orangery

Secular and sacred songs, anthems, motets, and instrumental pieces make up the complex program, as well as arrangements for organ by German composers.

You are guaranteed to hear hits such as “Come Again” or “Flow My Tears” by Dowland, or “Music For A While” and “If Music Be The Food Of Love” by Purcell. But also Purcell’s “Funeral Music for Queen Mary” or somewhat rarer works such as “In Guilty Night.”

Singers:

Elisabeth Hetherington, soprano

Antje Rux, soprano

Alexander Chance, alto

Jan Kobow, tenor

Joel Frederiksen, bass

Fretwork Viola da Gamba Consort:

Richard Boothby

Joanna Levine

Emilia Benjamin

Sam Stadlen

Jonathan Ree

Emily Ashton

Lee Santana, lute

Torsten Übelhör, organ & harpsichord

Jörg Meder, violone

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Spem in Alium / Utrecht (NL)
Sep
6
8:00 PM20:00

Spem in Alium / Utrecht (NL)

  • TivoliVredenburg / Grote Zaal (map)
  • Google Calendar ICS

Spem in alium

Looking forward to returning to this piece and concert, in its incredible majesty, with Vox Luminis.

From the Utrecht Festival website:
How monumental can music become before it bursts at the seams? In the 16th century, composers sought out that breaking point with an almost reckless ambition. Thomas Tallis goes to the extreme in Spem in alium, a polyphonic cathedral of sound for forty voices, that slowly rises and then crumbles again. Like the Steven Spielberg of Renaissance polyphony, he puts the vocal interplay under high tension: to hear all forty parts, we must wait exactly forty bars. 
Even in compactly orchestrated polyphony – such as that of Sheppard, Morley, and Striggio – there often lurks an intensity with crushing impact. Vox Luminis, pure world class, born at the Hague Conservatory, presents this repertoire with breathtaking precision, warmhearted emotion, and a sound that is both transparent and lush. Less is more? Not in this case! 

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Requiem for a Pink Moon / Ceska Lipa (CZ)
Sep
26
7:00 PM19:00

Requiem for a Pink Moon / Ceska Lipa (CZ)

An Elizabethan tribute to Nick Drake

"Nick was strangely out of step with his time. If he had lived in the 17th century, at the Elizabethan court, alongside composers such as Dowland or William Byrd, he would have fit right in. Nick was elegant, honest, a lost romantic – and at the same time so cool. In short: the perfect Elizabethan." – Rick Kirby

Joel Frederiksen and his Ensemble Phoenix Munich explored this sentiment of a friend of English singer-songwriter Nick Drake, who died in 1974 at the age of only 26, and created the program “Requiem for a Pink Moon.” With their award-winning signature style and sound, the experts in Renaissance and early Baroque music give Drake's songs an “Elizabethan” sound with lute, theorbo, and viola da gamba. Songs by John Dowland and Thomas Campion fit seamlessly into the adaptations, as Drake's lyrics, like those of the Elizabethan poets, revolve around deeply felt, personal moments of human existence.

Tenor, Kieran White

Performers:

Joel Frederiksen - lute, vocals, concept, and direction

Kieran White - tenor

Axel Wolf - lute, theorbo

Domen Marinčič - viola da gamba

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Free America! / Boston (USA)
Oct
25
4:30 PM16:30

Free America! / Boston (USA)

Free America! Early Songs of Resistance and Rebellion

Looking forward to repeating this program with the Boston Camerata. I sing on the CD with the Camerata for harmonia mundi France.

From “Free America!” released in 2019: My Body Rock ‘long Fever

Music, say our American ancestors, may soothe the heart, but it also sustains the search for values.

This program explores, in a present moment when American ideals are undergoing such deep challenges, the vital and life-affirming sounds of the young Republic, as its citizens sang and played forth their love of freedom and their rejection of tyranny.

The rough-hewn sounds of New England citizen-composers still ring true and strong to our contemporary ears. And so do Liberty’s attendants — feminists, abolitionists, freed slaves, religious minorities and the insolent scallywags of “Yankee Doodle” — all remind us that in our musical roots lies our true strength.

These songs, both written and from oral traditions, offer an enlarged, intercultural perspective on the music played and sung in the early republic’s first century. They will include marches, anthems, spirituals and ballads, restating our commitment to democracy. First commissioned by the Paris Philharmonie in 2018, a Harmonia Mundi CD.

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Out of Melancholy / Munich
Jun
28
7:00 PM19:00

Out of Melancholy / Munich

Out of Melancholy – Lute songs of John Dowland and English Madrigals

Hardly another composer expressed melancholy as artfully as John Dowland (1563–1626), who defined an era with his *First Booke of Songs* (1597). To mark the 400th anniversary of his death, this program is dedicated to his lute songs: music full of intensity, quiet longing, beauty, and subtle vocal expression. His works will be performed solo and in polyphonic settings, richly accompanied by lute, viola da gamba, and recorder, and complemented by selected songs of Thomas Campion as well as madrigals from *The Triumphs of Oriana* (1601)—a musical tribute to Elizabeth I. Some of the more intimate pieces will be performed around a table in the spirit of historical practice, partly in the original English pronunciation.

Out of Melancholy thus showcases various facets of the polyphonic soundscape of the English Renaissance.

About versum vocale

‘versum vocale is an a cappella ensemble for early music based in Munich, led by singer and lutenist Joel Frederiksen. With a flexible lineup of six to twelve passionate singers, the ensemble strives for a high standard of sound and is primarily dedicated to polyphonic Renaissance music.

Soprano | Mezzo Malin Eiband, Ann-Christin Gritto, Isabel Renz

Alto Linda Oppermann

Tenor Friedrich Esch

Bass Florian Eggers, Robert Schmidt

WITH

Tatiana Flickinger, recorder

Georg Rast, lute

Sebastian von Bomhard, viola da gamba

27. Juni 2026, 20 Uhr
St. Gangolf, St.-Gangwolf-Str. 15, 86944 Unterdießen

28. Juni 2026, 19 Uhr
Jugendkirche, Preysingstraße 85, 81667 München

26. Juli 2026, 19 Uhr
Johanneskirche, Wolfstraße 11, 82140 Olching

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Out of Melancholy / Unterdießen
Jun
27
8:00 PM20:00

Out of Melancholy / Unterdießen

Out of Melancholy – Lute songs of John Dowland and English Madrigals

Hardly another composer expressed melancholy as artfully as John Dowland (1563–1626), who defined an era with his *First Booke of Songs* (1597). To mark the 400th anniversary of his death, this program is dedicated to his lute songs: music full of intensity, quiet longing, beauty, and subtle vocal expression. His works will be performed solo and in polyphonic settings, richly accompanied by lute, viola da gamba, and recorder, and complemented by selected songs of Thomas Campion as well as madrigals from *The Triumphs of Oriana* (1601)—a musical tribute to Elizabeth I. Some of the more intimate pieces will be performed around a table in the spirit of historical practice, partly in the original English pronunciation.

Out of Melancholy thus showcases various facets of the polyphonic soundscape of the English Renaissance.

About versum vocale

‘versum vocale is an a cappella ensemble for early music based in Munich, led by singer and lutenist Joel Frederiksen. With a flexible lineup of six to twelve passionate singers, the ensemble strives for a high standard of sound and is primarily dedicated to polyphonic Renaissance music.

Soprano | Mezzo Malin Eiband, Ann-Christin Gritto, Isabel Renz

Alto Linda Oppermann

Tenor Friedrich Esch

Bass Florian Eggers, Robert Schmidt

WITH

Tatiana Flickinger, recorder

Georg Rast, lute

Sebastian von Bomhard, viola da gamba

27. Juni 2026, 20 Uhr
St. Gangolf, St.-Gangwolf-Str. 15, 86944 Unterdießen

28. Juni 2026, 19 Uhr
Jugendkirche, Preysingstraße 85, 81667 München

26. Juli 2026, 19 Uhr
Johanneskirche, Wolfstraße 11, 82140 Olching

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Dreaming Pink / Estaràs (ES)
May
10
11:00 AM11:00

Dreaming Pink / Estaràs (ES)

  • Santa Magdalena de Vergós Guerrejat (map)
  • Google Calendar ICS

Dreaming Pink — A program of dreams

We will perform Renaissance works by John Dowland, Thomas Campion and Francis Pilkington, but also songs that I have arranged for lute and voice by Nick Drake, and even completely new works that I recently composed. Perhaps you will enter a dream state when listening, perhaps you will not know what is real and what is imagined, what is old and what is new. Come along and participate in this magical place where the setting, the lighting and the program have all been carefully planned.

Ensemble Phoenix Munich:
Lucine Musaelian – Viola da Gamba and Voice
Emma-Lisa Roux – Lute and Voice
Joel Frederiksen – Lute, Voice, Direction

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Combattimento / Munich
Apr
26
2:00 PM14:00

Combattimento / Munich

  • Bayerisches Nationalmuseum München (map)
  • Google Calendar ICS

Combattimento - War, peace and lost love in the music of Claudio Monteverdi

Concert 4: Combattimento, Series XVIII, Season 2025/26 / Four concerts on subscription

Sunday, April 26, 2026, 2 pm — Bavarian National Museum, Mars-Venus Hall
1 pm — Pre-concert lecture with Dr. Bernhold Schmid

Claudio Monteverdi's music oscillates between heaven and hell, between battle and longing. This concert presents impressive madrigals from his eighth book (Madrigali guerrieri et amorosi, 1638), including the dramatic Il combattimento di Tancredi e Clorinda, a musical battle scene full of emotion and intensity. The program also includes the touching Lamento d'Arianna, Monteverdi's only surviving aria from the lost opera L'Arianna, as well as the virtuoso Ogni amante è guerrier based on Ovid's Metamorphoses. Il ballo delle ingrate concludes the evening with a dark splendor: a warning vision from the underworld about the power of spurned love—impressive, musical, emotional.

Emma-Lisa Roux – Soprano, Theorbo
Coline Dutilleul – Mezzo
Giovanni Cantarini – Tenor
Manuel Warwitz – Tenor
Penelope Spencer – Violin
Nagi Tsutsui – Violin
Michael Eberth – Harpsichord
Joel Frederiksen – Bass, Archlute, Conductor

4th concert of the XVIII concert series “Between Mars and Venus”

With the kind support of the Bavarian State Ministry of Science and the Arts and the District of Upper Bavaria.

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L'Orfeo / Fulda (DE)
Apr
17
8:00 PM20:00

L'Orfeo / Fulda (DE)

L’Orfeo – Opera by Claudio Monteverdi

Favola in Musica – A musical fable

I am delighted to be reprising the role of Caronte, the ferryman across the River Styx!

Orfeo is the first pop star of the Western world. He is adored by humans and animals alike, and even stones are enchanted by his singing. He has finally won the heart of the woman who will make his happiness complete: Euridice. Monteverdi's emotionally charged composition is brought to life by the historical instruments of the lautten compagney BERLIN. Orfeo and Euridice are the perfect glamour couple, and no wonder: their fans are beside themselves with excitement when the dream wedding is announced. But in the midst of the celebrations, Euridice dies from a snake bite. Accustomed to success as a star, Orfeo sets out to bring Euridice back from the afterlife. Claudio Monteverdi's Favola in Musica, premiered in Mantua in 1607, is considered the masterpiece of early opera in Italy.

Director: Thomas Guglielmetti

Production: lautten compagney BERLIN

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Stabat Mater / Krakow
Apr
2
8:00 PM20:00

Stabat Mater / Krakow

Stabat Mater – Agostino Steffani

Matthäus Passion – J. Sebastiani

with Vox Luminis

Joel Frederiksen will sing the epic Basso-Profundo-Solo „Vidit suum dulcem natum” as part of Steffani’s Stabat Mater.

I am very happy to appear in Krakow again at the wonderful Festival Misteria Paschalia.

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Peace and War / Cuenca (ES)
Mar
28
2:00 PM14:00

Peace and War / Cuenca (ES)

  • Semana de Música Religiosa de Cuenca (map)
  • Google Calendar ICS

Peace and War

Happy to take part again in the Semana de Música Religiosa de Cuenca with the Huelgas Ensemble of Belgium.

Info & Tickets: Semana de Música Religiosa de Cuenca http://www.smrcuenca.com

Programme

1.  Missa “l’homme armé” à 5 ~ Kyrie : Bourgondië, anoniem (ca. 1480)

2.  Rondeau “Quant j’ay au cueur” à 3  : Antoine Busnois (ca. 1430-1492)

3.  Missa “l’homme armé” ~ Gloria

4.  Hierusalem luge motet à 5 : Lupus Hellinck (1493-1541)

5.  Missa “l’homme armé” ~ Sanctus

6.  Nos amys vous vous abusez  rondeau à 3 : Adrien Basin (ca. 1430-1497)

7.  Missa “l’homme armé” ~ Agnus Dei

8.  Il n’est si doulce vie chanson à 4 : Jean Richafort (ca. 1480-ca. 1547)

9.  Salve Regina motet à 5 : Jean Richafort

Fin

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A Place of Green – SOLO / Bever (BE)
Feb
28
8:30 PM20:30

A Place of Green – SOLO / Bever (BE)

A Place of Green — Solo in Rosario

I am very excited to return to Belgium to spend a week living, working, and giving a concert with Sophie and Johan in the peaceful Rosario monastery.

I will perform a concert of songs that I have written, paired with songs of the Renaissance for lute and voice. My songs are a mix of old and new, Renaissance and Early Baroque models with contemporary influences. I hope you will come and listen.

Joel Frederiksen — Bass and Renaissance Lutes


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Aufenthalt / Munich
Feb
5
8:00 PM20:00

Aufenthalt / Munich

  • Bayerisches Nationalmuseum München (map)
  • Google Calendar ICS

Aufenthalt – Songs for “one bass voice with pianoforte accompaniment” by Franz Schubert

Concert 3: Aufenthalt, Series XVIII, Season 2025/26 / Four concerts on subscription

Thursday, February 5, 2026 at 8 pm — Bavarian National Museum, Munich
7 pm — Pre-concert lecture with Lukas Sehr
Following their acclaimed performance of Schubert's Winterreise, Joel Frederiksen and Lukas Sehr return with a selection of songs from Schwanengesang. This collection of songs, published posthumously, is considered Schubert's musical legacy – touching, profound, and poetic. The songs will be complemented by four movements from Schubert's last piano sonata in B flat major. A faithful replica of a fortepiano by Gregor Deiß (Munich, around 1815) from the Greifenberger Institute produces a sound that particularly enhances the intimate interplay between voice and piano. A recital full of subtle nuances!

Joel Frederiksen — bass
Lukas Sehr — fortepiano

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Requiem for a Pink Moon / Aalen
Jan
6
7:00 PM19:00

Requiem for a Pink Moon / Aalen

An Elizabethan tribute to Nick Drake

"Nick was strangely out of step with his time. If he had lived in the 17th century, at the Elizabethan court, alongside composers such as Dowland or William Byrd, he would have fit right in. Nick was elegant, honest, a lost romantic – and at the same time so cool. In short: the perfect Elizabethan." – Rick Kirby

Joel Frederiksen and his Ensemble Phoenix Munich explored this sentiment of a friend of English singer-songwriter Nick Drake, who died in 1974 at the age of only 26, and created the program “Requiem for a Pink Moon.” With their award-winning signature style and sound, the experts in Renaissance and early Baroque music give Drake's songs an “Elizabethan” sound with lute, theorbo, and viola da gamba. Songs by John Dowland and Thomas Campion fit seamlessly into the adaptations, as Drake's lyrics, like those of the Elizabethan poets, revolve around deeply felt, personal moments of human existence.

Performers:

Joel Frederiksen - lute, vocals, concept, and direction

Kieran White - tenor

Axel Wolf - lute, theorbo

Domen Marinčič - viola da gamba

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The Midnight Cry / Boston (USA)
Dec
21
4:00 PM16:00

The Midnight Cry / Boston (USA)

The Midnight Cry: An American Christmas (2025)

Full of joy and delightful discovery, this holiday program revisits Camerata’s most popular Christmas offering. It features songs, hymns, New England anthems, and carols from the early years of the American republic. Drawn from a wide range of early tune books and manuscripts, this magnificent Christmas repertoire, our very own, is performed by an ensemble of superb vocal soloists and instrumentalists, under the direction of Anne Azéma.

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A Place of Green / Munich
Nov
9
2:00 PM14:00

A Place of Green / Munich

  • Bayerisches Nationalmuseum München (map)
  • Google Calendar ICS

A Place of Green – The First Booke of Songs von Joel Frederiksen, Teil II

Concert 2: A Place of Green, Reihe XVIII: 2025-26 / Series XVIII, Season 2025/26 / Four concerts on subscription

Sunday, November 9 at 2 pm – Bavarian National Museum, Mars-Venus Hall
1 pm — Pre-concert lecture with Dr. Gregory Wang and Joel Frederiksen

With “A Place of Green,” Joel Frederiksen strikes a quiet, personal tone – a song about youth, longing, and the desire for reconciliation. With the second part of his “First Booke of Songs,” he completes an exceptional project: new songs in the spirit of the Renaissance, inspired by masters such as John Dowland and Thomas Campion, but interwoven with contemporary language and emotion. Following the successful first part in May 2024, Frederiksen continues his intimate musical dialogue with the past – touching, timeless, and intimate. A concert that carries the echo of old songs into the present.

Emma-Lisa Roux — soprano, lute
Hille Perl — viola da gamba
Lucine Mesaelian — soprano, viola da gamba
Colin Balzer — tenor
Murat Coskun — percussion
Joel Frederiksen — bass, lute, direction, songs

2nd concert of the XVIII concert series “Between Mars and Venus”

With the kind support of the Bavarian State Ministry of Science and the Arts and the District of Upper Bavaria.

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